Recent
This page documents recent and forthcoming activities across research, teaching, and public engagement, including invited keynotes, conference presentations or panels, student‑led exhibitions, and institutional collaborations. It offers a chronological snapshot of ongoing projects in digital humanities, AI and democratic resilience, and design education, with emphasis on events that generate new research outputs and partnerships.
Conference panel by Deepfake Democracy Project, “Deepfakes and Democratic Integrity: Technical Creation and Detection Vulnerabilities”, Controversies of AI Society Conference, 9-10 April 2026 at Algorithms, Data & Democracy (ADD) project in Denmark. Abstract proceedings DOI.
Fox-Jensen is awarded a STINT Teaching Sabbatical Fellowship to serve as a guest researcher and lecturer at UCLA, Autumn 2026. Featured STINT press, Malmö University News, “March Beyond MAU Lecture Halls: When Internationalisation Becomes Real”, 10 March 2026.
Exhibition, student-led, “Smarter. Sustainable. Speculative. Blue Skies Research “ with Graphic Design Interaction Design course, in collaboration with Smartr.se, K3 Open Space, 6 March 2026.
Principal investigator (PI), Vertically Integrated Projects (VIP) “Deepfake Democracy Project” within the Sustainable Digitalisation Research Centre (SDRC) at Malmö University, 2025 – present.
Seminars, “Integrated Design Driven Research” and “Interaction Design” at Boston College, Design program, 14-15 January, 2026.
Exhibition, student-led, “Smart Eco Packaging” graphic design bachelors “Working as a Designer course”, K3 Open Space at Malmö University, 16-30 January, 2026.
Attended, Humanities Research Group from Malmö University visit Humanities Department at the Åbo Akademi University in Turku, Finland, 4-6 Dec, 2025.
Article, “From Archive to Interface: Positioning the Digital Catalogue Raisonné within Nordic Digital Humanities Infrastructure”, Digital Humanities in the Nordic and Baltic Countries Publications (DHNB), 2026. Accepted.
Conference seminar, “From Archive to Interface: Participatory Methods for Digital Catalogue Raisonnés”, DHKO 2025: Infrastructure and Interface, University of Inland Norway in Hamar, Norway, 15-16 October 2025.
Article, “Beyond Big Tech: Alternative Digital Platforms for Collaborative and Participatory Art Historical Research”, Northern European Association for Language Technology (NEALT), Proceedings of the 2nd Huminfra Sweden Conference, 2025.
Conference seminar and proceedings, “Beyond Big Tech Dependencies: Building Collaborative and Accessible Digital Tools for Participatory Art Historical Research” Huminfra Sweden Conference (HiC 2025), Stockholm University, 12-13 November, 2025.
Chapter, “Connecting the Digital Divides through Intergenerational Action Research: A STEM Case Study with High Five Girls”, Empowering Educators through Action Research: Case Studies and Practical Applications, Publish Date June 2026, IGI Global Scientific Publishing. Accepted.
Article, “Designing an Accessible and Sustainable Digital Catalogue Raisonné: Interdisciplinary Approaches and the Case of Ted Stamm”, Spring 2026. Art Documentation, Art Libraries Society of North America (Arlisna). Accepted.
Article, “Digital Archives and Feminist Art History: Recovering Marginalized Documentation from 1970s New York”, 2026, Art Libraries Journal (ARLIS), Cambridge University Press. DOI.org/10.1017/alj.2026.10086. Accepted.
Article, “Multimodal Learning for Neurodiversity: Transforming Design Education Through Inclusive Curriculum”. Co-authored with Malmö University master’s media studies research students, 2026, Journal of Teaching and Learning in Higher Education (JoTL). Accepted.
Seminar, “Positioning the Digital Catalogue Raisonné within Digital Humanities Practice” (HiC 2025), Humanities Day, Humanities Research Group, Malmö University, 11 November, 2025.
Participant, “Museum Obscurum” visit in Nykøbing Falster, Denmark with the Monster Lab research group from Malmö University 25-26 September 2025. Wundekammer publication and exhibition.
Keynote, “Designing an Accessible and Sustainable Digital Catalogue Raisonné” at Artist Foundation & Estate Leaders’ List (AFELL) Sessions, New York, 30 May 2025, recording. This keynote included new frameworks for accessible and sustainable strategies based on the Ted Stamm Catalogue Raisonné and previewed findings from her PhD dissertation defended in March 2025.
Seminar, “Designing an Accessible and Sustainable Digital Catalogue Raisonné” at K3 Heritage Research Group, Malmö University, 28 April 2025.
Participant, “Decolonizing histories in theory and practice; Institutions as sites for reimagining pasts and futures” planned by Center for Practice-based Art Studies (PASS), University of Copenhagen, April 22 - 26, 2025, traveled to Utrecht, Amsterdam, Rotterdam and Leiden in the Netherlands to Rijksmuseum, Kunstinstituut Melly, Research Center for Material Culture (RCMC) at Wereldmuseum, Buro Stedelijk and BAK.
Attended, “CAPIm (Centre for Art and the Political Imaginary) Research Annual Conference, 28 – 29 August 2025
Attended, “Mainstreaming Sustainable Consumption” (SCORAI), Lund University, Lund, Sweden, 9 April 2025.
Attended, “Science Facts/Fictions: Science-Fiction, Robotics Engineering & Policy”, Southern Denmark University (SDU), Odense, Denmark, 15 November 2024.
Attended, K3 and MEDEA visit, Bauhaus University, Weimar, Germany, October 2024.
Attended “Arts, Research and Alliances”, Arts-based Research Group, Malmö University, Sweden, 27 September 2024.
Chapter, Ted Stamm: Series “Chronology Revisited” by Elizabeth Ashley Fox and Per Haubro Jensen (Hatje Cantz, 2023).
Forthcoming (2026 – 2027)
Invited participant: Research Seminar: Understanding Deception in Times of GenAI, by Tanja Wiehn of Lund University. February 2027, pending funding.
Fox-Jensen, E. A., Riihimäki, I. & Haugsbø, T. (2026). Digital Catalogue Raisonné Projects in the Nordics: Practices, Perspectives, and Cultural Heritage, 7th Digital History in Sweden Conference, Malmö University, November 2026.
Conference, “Digital Catalogues Raisonnés: Art Historical Scholarship”, International Conference on Cultural Heritage (ICCH), 26–27 October 2026, Los Angelos.
Conference, “The Liar’s Dividend and Ambient Skepticism”, 3rd Biennial International Conference on Democracy and Digital Citizenship, Aarhus University, 27-28 August 2026.
Conference, “Co-Designing Deepfake Warnings with Nordic Users”, AoIR Flashpoint Symposium, Malmö University, August 2026. pending acceptance.
Conference panel by Deepfake Democracy Project, The Good, the Bad, and the Ugly: Deepfakes, Sociotechnical Imaginaries, and the Crisis of Democratic Trust, Malmö STS (Science Technology and Society) Conference, Malmö University, June 2026.
Conference panel by Deepfake Democracy Project, Malmö Möts City for Democracy week, June 2026. Malmö University.
Conference seminar, “Gains and Pains: Embedding VIPs in a Teaching-Intensive European University,” VIP Consortium Annual Meeting, Georgia Tech, Atlanta, May 2026.
Chapter in progress, “Smarter. Sustainable. Speculative: Integrating AI Prototyping Tools in Graphic Design Education," AI for Designers: Supporting Creativity in Graphic Design Education, London, Bloomsbury, 2026.
Article in progress, Fox-Jensen, E. A., & Väfors Fritz, M., “Gains and Pains: Implementing VIPs in a Teaching-Intensive European University.” Target: Higher Education (Springer). Submitted.
Article in progress, “AI Nudification, Ambient Skepticism, and the Participation Future the EU Has Yet to Build.” Target: International Journal of Communication, Special Section on Distributed Citizenship. Submitted.
Article in progress, Fox-Jensen, E. A., & Njekwa Ryberg, S.E., “Weaponized Uncertainty: The Liar’s Dividend, Ambient Skepticism, and Democratic Communication in Post-Deepfake Sweden.” Target: Social Media in Society and Culture or Journal of Digital Social Research (JDSR) Special Issue: Digital Darkside. Submitted.
Chapter, “Shadow Makers and Beyond the Cave Wall: Platonic Philosophy and AI-Generated Visual Media” in Creative Media Studies, 2026, Lines of Flight. Accepted.
Monograph in progress: Ted Stamm: Participatory-Based Works with University of Chicago research fellows and Professor Graham Bader (Rice University), Philip Kelleher (University of Houston–Clear Lake), Isa Rosario (Yale), and Per Haubro Jensen (Ted Stamm Estate). Expected 2028.
Monograph: “Digital Catalogues Raisonnés: Design, Access, and Sustainability in Art Historical Scholarship”, Routledge, Digital Research in the Arts and Humanities series, expected 2028. Based on the 2025 doctoral dissertation. Accepted.
Monograph: Zoppolhead Artifacts v1 – 55 contributors. Transciplinary Lines of Flight series, Malmö University Press, 2026. Accepted.
Open Access SAS Space: PhD Thesis “Designing an Accessible and Sustainable Digital Catalogue Raisonné: Interdisciplinary Approaches and the Case of Ted Stamm” June 2025.
Recent (2023 – 2024)
Attended, “Science Facts/Fictions: Science-Fiction, Robotics Engineering & Policy”, Southern Denmark University (SDU), Odense, Denmark, 15 November 2024.
Participant, K3 and MEDEA visit, Bauhaus University, Weimar, Germany, October 2024.
Attended, “Arts, Research and Alliances”, Arts-based Research Group, Malmö University, Sweden, 27 September 2024.
Keynote, presentation “Accessibility within User Experience (UX): Designing Better Products”, Product Design Conference, Technical University of Moldova, October 2023, recording.
Panelist, “Partnership for an Inclusive and Sustainable Digital Society”, Product Design Conference, Technical University of Moldova, October 2023, recording
Seminar, “Designing an Accessible and Sustainable Digital Catalogue Raisonné” Between Technology & Theory, Warburg Institute, University of London, June 2023
Contributor, “A Finding Aid to the Ted Stamm Slides of Works of Art and Exhibitions, circa 1968-1986, 2018”, Smithsonian Archives of American Art (AAA), 2023.